By Rathna Ramanathan

From her studio Minus 9 Design, Rathna Ramanathan has worked with Tara Books on projects over the last twenty years. Here, she reflects on her experiences of collaborating with Tara Books in the context of sustainable modes of design and production, and alternative models of publishing.

By Gita Wolf

When we first published this book, we didn’t overthink it…25 years later, its time has come again, though in a slightly altered form. So what has changed in the meantime? Quite a lot, as it turns out. 

By Anushka Ravishankar

I did not discover nonsense so much as recognise it with a shout of joy when I was almost twenty years old. What a waste of two decades! Of course, I had read nonsense as a child. I’d read the wickedly funny poems in the Alice books by Lewis Carroll and I knew some of Edward Lear’s gently silly poems and limericks. But I had no idea that nonsense was a respected literary genre. (Well, sort of respected.)

By Gita Wolf and V. Geetha

Years later, when asked about Tara’s origins, Gita Wolf would say, “I didn’t really have a business plan, nor had I thought through all that publishing involved. As an avid child-reader fed on Anglo-Saxon books, it seemed to me that fun and adventure seemed to happen only to children in other places… and I wondered, why not right here?”

By V. Geetha

For over twenty years now, we have curated exhibitions to do with our books and publishing. Some of these have focused on individual titles, others on our book-making, and yet others on broad themes that define our intertwined publishing concerns — to do with content, form and printing. As we worked on Painting Everything in the World, we pondered over these other exhibitions. What, we asked ourselves, is the relationship between curation and publishing?

By Gita Wolf & Divya Vijayakumar

Our enduring classic The Night Life of Trees is currently in its 15th English-language edition! Along with the 33 foreign language editions of the book, which have been published by our partners in 8 languages, this adds up to a staggering total of 120,864 copies worldwide! To celebrate its long-standing legacy, we’ve brought out a poster called Tree Covers, showcasing the many looks of this quintessential book.

Nia Murphy & Maegan Dobson interview Anushka Ravishankar

More than 20 years after the publication of her first book, India’s acclaimed nonsense poet Anushka Ravishankar looks back at the collaborative process that led to the creation of her first few picture books for children.