By V. Geetha
For over twenty years now, we have curated exhibitions to do with our books and publishing. Some of these have focused on individual titles, others on our book-making, and yet others on broad themes that define our intertwined publishing concerns — to do with content, form and printing. As we worked on Painting Everything in the World
, we pondered over these other exhibitions. What, we asked ourselves, is the relationship between curation and publishing?