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28 Sep

Posted at 17:21hin Blog
By Gita Wolf and Joëlle Jolivet

"When I came back from the hospital, I just drew a self-portrait… maybe to make sure that I was still alive? I think I drew one portrait every morning. It was very spontaneous, connected with the feeling of the day." This fantastic book was never thought of as a book, to begin with. It came together—literally—by accident.

27 Aug

Posted at 21:43hin Blog
By Anushka Ravishankar

I did not discover nonsense so much as recognise it with a shout of joy when I was almost twenty years old. What a waste of two decades! Of course, I had read nonsense as a child. I’d read the wickedly funny poems in the Alice books by Lewis Carroll and I knew some of Edward Lear’s gently silly poems and limericks. But I had no idea that nonsense was a respected literary genre. (Well, sort of respected.)

13 Mar

Posted at 18:51hin Blog
By V. Geetha

For over twenty years now, we have curated exhibitions to do with our books and publishing. Some of these have focused on individual titles, others on our book-making, and yet others on broad themes that define our intertwined publishing concerns — to do with content, form and printing. As we worked on Painting Everything in the World, we pondered over these other exhibitions. What, we asked ourselves, is the relationship between curation and publishing?

19 Dec

Posted at 19:24hin Blog
By Gita Wolf and Catriona Maciver

It was a sensory experience, to say the least, to rummage through dusty drawers full of metal and wooden type faces in all shapes and sizes. Sadly, most of the sets were incomplete – since Tara had bought the press second hand, and the type was thrown in – so we found ourselves hunting down characters to form words, as though we were putting together a puzzle.

17 Oct

Posted at 18:59hin Blog
By Gita Wolf

We’re proud and gratified to finally present the world with a project that is especially close to our feminist hearts. Several years in the making, the story of how this amazing book came to be is worth telling, at length.

25 Jul

Posted at 20:28hin Blog
By Maguma

Spanish artist Maguma reinterprets a classic tale of greed and need, by the Grimm brothers, for contemporary readers. The story opens out into two parallel visual narratives — one set in times past and the other rooted in a dystopian present. As possessions and fortunes are rapidly exchanged, who wins and who loses? And what exactly does winning and losing entail?

24 Jul

Posted at 21:04hin Blog
By Maguma

God of Money was made possible by a series of happy circumstances. In 2014, during the celebration of the International Illustration Festival, Ilustratour, I met Gita Wolf, director of Tara Books. My work appeared very witty to her and we had an interesting conversation thereafter.