An unusual collaboration between indigenous Warli artists, a writer-gardener and book artisans, this book is a celebration of the miracle that is the seed and its place in our lives and cultures. Read on for an account of its evolution, and how it came to take its imaginative final shape, a combination of four book forms—each of them reflecting a particular aspect of the cosmos contained in a seed. ...

By V. Geetha

Travelling Patterns is the latest in a line of books that engage with textiles and textile art. It is a unique visual assemblage—in which pattern-making travels from textile to paper, from the decorative to the narrative, and from one context to another. ...

By Gita Wolf

When we first published this book, we didn’t overthink it…25 years later, its time has come again, though in a slightly altered form. So what has changed in the meantime? Quite a lot, as it turns out. ...

By Gita Wolf and Joëlle Jolivet

"When I came back from the hospital, I just drew a self-portrait… maybe to make sure that I was still alive? I think I drew one portrait every morning. It was very spontaneous, connected with the feeling of the day." This fantastic book was never thought of as a book, to begin with. It came together—literally—by accident....

By Anushka Ravishankar

I did not discover nonsense so much as recognise it with a shout of joy when I was almost twenty years old. What a waste of two decades! Of course, I had read nonsense as a child. I’d read the wickedly funny poems in the Alice books by Lewis Carroll and I knew some of Edward Lear’s gently silly poems and limericks. But I had no idea that nonsense was a respected literary genre. (Well, sort of respected.)...

By Gita Wolf and V. Geetha

Years later, when asked about Tara’s origins, Gita Wolf would say, “I didn’t really have a business plan, nor had I thought through all that publishing involved. As an avid child-reader fed on Anglo-Saxon books, it seemed to me that fun and adventure seemed to happen only to children in other places… and I wondered, why not right here?”...

By Anaïs Beaulieu

An embroiderer’s skill is actually revealed by the quality of the work on the reverse side of the fabric — the hidden intersection of threads and knots that hold the embroidery in place. It is not seen immediately, and yet must be impeccable. Perhaps a book works somewhat like embroidery...

By V. Geetha

In an era of exploding digital alternatives to the schoolroom, it is perhaps good to remember that learning is not only about ideas and information, which digital sources supply in abundance. It has also to do with spontaneity, with the unexpected and the serendipitous....