By Gita Wolf and V. Geetha

Years later, when asked about Tara’s origins, Gita Wolf would say, “I didn’t really have a business plan, nor had I thought through all that publishing involved. As an avid child-reader fed on Anglo-Saxon books, it seemed to me that fun and adventure seemed to happen only to children in other places… and I wondered, why not right here?”...

By Anaïs Beaulieu

An embroiderer’s skill is actually revealed by the quality of the work on the reverse side of the fabric — the hidden intersection of threads and knots that hold the embroidery in place. It is not seen immediately, and yet must be impeccable. Perhaps a book works somewhat like embroidery...

By Rathna Ramanathan

From her studio Minus 9 Design, Rathna Ramanathan has worked with Tara Books on projects over the last twenty years. Here, she reflects on her experiences of collaborating with Tara Books in the context of sustainable modes of design and production, and alternative models of publishing....