By Gita Wolf

The connection of skill and labour to art making has always interested us. We’re curious not only about the aesthetic and philosophical aspects of traditional art, but equally in its connection to artisanal practices, the craft that goes into giving it a physical form. In the case of Mata-Ni-Pachedi, this involves painting, block-printing and dyeing techniques which are painstaking, requiring skill and experience. This kind of artisanal knowledge is profound and priceless, but it is not valued highly, and seen more as a sequence of repetitive tasks learned through apprenticeship. Instead of holding artisanal practices against the mirror of industrial manufacture — or seeing them as distinct from art-making — we’d like to connect them intrinsically to the creative process.

By Rathna Ramanathan

From her studio Minus 9 Design, Rathna Ramanathan has worked with Tara Books on projects over the last twenty years. Here, she reflects on her experiences of collaborating with Tara Books in the context of sustainable modes of design and production, and alternative models of publishing.