By Gita Wolf and V. Geetha
Years later, when asked about Tara’s origins, Gita Wolf would say, “I didn’t really have a business plan, nor had I thought through all that publishing involved. As an avid child-reader fed on Anglo-Saxon books, it seemed to me that fun and adventure seemed to happen only to children in other places… and I wondered, why not right here?”...
By Anaïs Beaulieu
An embroiderer’s skill is actually revealed by the quality of the work on the reverse side of the fabric — the hidden intersection of threads and knots that hold the embroidery in place. It is not seen immediately, and yet must be impeccable. Perhaps a book works somewhat like embroidery...
By V. Geetha
In an era of exploding digital alternatives to the schoolroom, it is perhaps good to remember that learning is not only about ideas and information, which digital sources supply in abundance. It has also to do with spontaneity, with the unexpected and the serendipitous....
By V. Geetha
For over twenty years now, we have curated exhibitions to do with our books and publishing. Some of these have focused on individual titles, others on our book-making, and yet others on broad themes that define our intertwined publishing concerns — to do with content, form and printing. As we worked on Painting Everything in the World, we pondered over these other exhibitions. What, we asked ourselves, is the relationship between curation and publishing?...
