By Gita Wolf

When we first published this book, we didn’t overthink it…25 years later, its time has come again, though in a slightly altered form. So what has changed in the meantime? Quite a lot, as it turns out. 

By Gita Wolf and Joëlle Jolivet

"When I came back from the hospital, I just drew a self-portrait… maybe to make sure that I was still alive? I think I drew one portrait every morning. It was very spontaneous, connected with the feeling of the day." This fantastic book was never thought of as a book, to begin with. It came together—literally—by accident.

By Gita Wolf and V. Geetha

Years later, when asked about Tara’s origins, Gita Wolf would say, “I didn’t really have a business plan, nor had I thought through all that publishing involved. As an avid child-reader fed on Anglo-Saxon books, it seemed to me that fun and adventure seemed to happen only to children in other places… and I wondered, why not right here?”

By Gita Wolf

The connection of skill and labour to art making has always interested us. We’re curious not only about the aesthetic and philosophical aspects of traditional art, but equally in its connection to artisanal practices, the craft that goes into giving it a physical form. In the case of Mata-Ni-Pachedi, this involves painting, block-printing and dyeing techniques which are painstaking, requiring skill and experience. This kind of artisanal knowledge is profound and priceless, but it is not valued highly, and seen more as a sequence of repetitive tasks learned through apprenticeship. Instead of holding artisanal practices against the mirror of industrial manufacture — or seeing them as distinct from art-making — we’d like to connect them intrinsically to the creative process.

By Gita Wolf and Catriona Maciver

It was a sensory experience, to say the least, to rummage through dusty drawers full of metal and wooden type faces in all shapes and sizes. Sadly, most of the sets were incomplete – since Tara had bought the press second hand, and the type was thrown in – so we found ourselves hunting down characters to form words, as though we were putting together a puzzle.

By Gita Wolf

We’re proud and gratified to finally present the world with a project that is especially close to our feminist hearts. Several years in the making, the story of how this amazing book came to be is worth telling, at length.

By Maguma

God of Money was made possible by a series of happy circumstances. In 2014, during the celebration of the International Illustration Festival, Ilustratour, I met Gita Wolf, director of Tara Books. My work appeared very witty to her and we had an interesting conversation thereafter.

By Gita Wolf & Divya Vijayakumar

Our enduring classic The Night Life of Trees is currently in its 15th English-language edition! Along with the 33 foreign language editions of the book, which have been published by our partners in 8 languages, this adds up to a staggering total of 120,864 copies worldwide! To celebrate its long-standing legacy, we’ve brought out a poster called Tree Covers, showcasing the many looks of this quintessential book.

By Gita Wolf

What potential does art offer as healing in the time of a pandemic? As we all emerge slowly from a year filled with illness, death, and despair, we wanted to look forward to better times by recollecting a myth that’s curiously comforting. There is a belief amongst the indigenous Rathwa tribe from Gujarat that creating a particular painting—called Pithora—banishes adversity and brings about a change in fortune.